{"id":16913,"date":"2025-04-05T19:58:51","date_gmt":"2025-04-05T17:58:51","guid":{"rendered":"https:\/\/videomappingfestival.com\/?p=16913"},"modified":"2025-04-05T19:59:40","modified_gmt":"2025-04-05T17:59:40","slug":"video-mapping-contest-prize-list-2025","status":"publish","type":"post","link":"https:\/\/2025.videomappingfestival.com\/en\/video-mapping-contest-prize-list-2025\/","title":{"rendered":"VIDEO MAPPING CONTEST \u2013 Prize List 2025"},"content":{"rendered":"

Rencontres Audiovisuelles launched a call for participation at the end of 2024, open to international submissions, to professionals and students in cinema, animation, digital arts, graphic design, video games, etc. The candidates have been selected based on application files and have presented their work on the facade of the Palais des Beaux-Arts on the occasion of the Lille video mapping tour as part of the Video Mapping Festival #8. <\/p>\n

A Jury made of professionals have awarded a Grand Prize, a Jury Special Mention, and the public has chosen an Audience Prize by SMS vote.
\nIn addition to the 4 000\u20ac grant for the creation, each winner (Grand Prize and Audience Prize) receives a second financial prize to propose a creation, one for the next edition of iMapp Bucharest (monetary prize offered by iMapp Bucharest), the other for the Lyon Festival of Lights (monetary prize of 4 000\u20ac offered by Christie).<\/p>\n

Discover the Prize List 2025 below!<\/p>\n

The prizes are designed by ruestungsschmie.de and 3D printed by Future Campus Ruhr.<\/em><\/p>\n

> More info about the Video Mapping Contest<\/a><\/strong>
\n 
\n 
\n_____________<\/span><\/b><\/p>\n

GRAND PRIZE<\/p>\n

Concurrent n\u00b02
\nHans Bolz (Germany)<\/strong><\/p>\n

\"https:\/\/2025.videomappingfestival.com\/wp-content\/uploads\/2018\/01\/Hans_Bolz_web.jpg\"<\/p>\n

\u25b6\ufe0e oscillation. the sound of architecture.<\/strong>
\nThis project explores how architecture can be experienced as music, guided by the principle \u201csound follows form\u201d. The Palais des Beaux-Arts in Lille is transformed into sound, with its Belle \u00c9poque rhythm and structure expressed through an arpeggio pattern echoing the era\u2019s ornamental detail. Columns translate into string ostinatos, arches shape melodies, and the foundation resonates with deep tones. In the same way that past visions of progress fused tradition and innovation, this approach reimagines architecture as a dynamic, multi-sensory experience.<\/p>\n

Direction and animation:<\/strong> Hans Bolz
\nOriginal music:<\/strong> Hans Bolz
\n 
\n 
\nAUDIENCE PRIZE<\/p>\n

Concurrent n\u00b03
\nVali Chinci\u0219an (Romania)<\/strong><\/p>\n

\"https:\/\/2025.videomappingfestival.com\/wp-content\/uploads\/2018\/01\/Vali_Chincisan_web.png\"<\/p>\n

\u25b6\ufe0e JAZZ<\/strong>
\n\u201cThe concept for JAZZ<\/em> comes from my obsession with the junction of improvisation and structure in creative output. Matisse\u2019s Jazz series has always captivated me especially for its simplicity and boldness, where vibrant colors and abstract forms combine in a way that feels both planned and easy. Jazz music\u2019s improvisational quality reflects this harmony, and I find it to be a metaphor for the creative process itself: a dance between form and free expression.\u201d<\/p>\n

Direction:<\/strong> Vali Chinci\u0219an, assisted with Cristian Negoescu
\nAnimation:<\/strong> Vali Chinci\u0219an
\nOriginal music:<\/strong> Alin Z\u0103br\u0103u\u021beanu
\n 
\n 
\nJUY SPECIAL MENTION<\/p>\n

Concurrent n\u00b07
\nAnna Meldr\u0101ja \u2013 Pirate Pixie (Latvia)<\/strong><\/p>\n

\"https:\/\/2025.videomappingfestival.com\/wp-content\/uploads\/2018\/01\/Anna_Meldraja_web.png\"<\/p>\n

\u25b6\ufe0e The Tale of Balance<\/strong>
\nThe Tale of Balance<\/em> is a fairy tale that aims to link two key issues: environmental destruction and low mental health\/wellbeing. Both stem from our lost connection to nature. Everything in the nature is biologically connected, so why do we think we are not? We must remember we are part of the natural world, not its owners, and work to restore the balance not just in nature, but ourselves too. The tale will be used to create a sound design with lyrics, which will go together with the video mapping.<\/p>\n

Direction and animation:<\/strong> Anna Meldr\u0101ja \u2013 Pirate Pixie
\nMOriginal music: <\/strong>Alvis Griga\u013c\u016bns, M\u0101rti\u0146\u0161 Jansons, Ieva Matveja, Anna Meldr\u0101ja, Paula V\u012btola
\n 
\n 
\n_____________<\/span><\/b><\/p>\n

Pre-selection Jury:<\/strong>
\n\u2022 Marko Bolkovic\u0301 \u2013 director, Visualia Festival of Light (Croatia)
\n\u2022 Antoine Manier \u2013 director, Rencontres Audiovisuelles (France)
\n\u2022 Filip Roca \u2013 artist (Montenegro, Spain)
\n\u2022 Daniel Rossa \u2013 new media artist, Studio Rossa (Germany)
\n\u2022 Martina Stella \u2013 artist and researcher (Italy, France)<\/p>\n

Jury:<\/strong>
\n\u2022 Ross Ashton \u2013 creative director, The Projection Studio (United Kingdom)
\n\u2022 Kristin McGuire \u2013 artist, Studio McGuire (United Kingdom)
\n\u2022 Tam\u00e1s Vasp\u00f6ri \u2013 CEO, Maxin10sity (Hungary)<\/p>\n

\n\t\n\t\n\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Rencontres Audiovisuelles launched a call for participation at the end of 2024, open to international submissions, to professionals and students in cinema, animation, digital arts, graphic design, video games, etc. The candidates have been selected based on application files and have presented their work on the facade of the Palais des Beaux-Arts on the occasion […]<\/p>\n

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